The "Digital Diary"

Personal experiences expressed through machine-generated art, created under the strict direction of my mind.

An oil painting-style image of the persona NOA from the narratives by Nia Nokova, featuring machine-created art. This politically charged scene depicts a woman with dark hair and cracked, desert-like skin looking upward, with smoke labeled

The Digital Erasure

The Narrative:

After I shared a thread on the Iranian women's uprising, X suspended my account for "inauthentic behaviour"—a silent, digital assassination of my perspective. This work is my response to that erasure. It is a refusal to be deleted by a blind algorithm.


An oil painting-style portrait of the persona NOA from the narratives of Nia Nokova, featuring machine-created art. The image depicts a woman with short dark hair and a weary, hollow expression, holding an ornate, oval-shaped mirror that reflects only a deep, solid black. She is dressed in a dark garment, and her face and hands show the signature thick, textured impasto brushstrokes of the series. The entire scene is set against a stark, black background, creating a powerful sense of emptiness and self-reflection.

Mirrors of Hypocrisy

The Narrative:

We call Deepfakes a weapon, yet long before AI, women and vulnerable youths were exploited through cameras, computers, and the internet. The industry cries "foul" at AI while built on its own brand of fakeness—valuing "the right look" over raw talent and profiting from performers who lip-sync to voices they don’t own.


They buy from retail giants that profit from child labour and underpaid women. They fly to curated holiday destinations. They post on social media platforms that rely on carbon-heavy AI to "patrol" the very feeds they use to cast judgment. Progress is a storm—violent, rapid, and costly. I do not claim the world is fair; I only claim my right to navigate the chaos.